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Showing posts from November, 2020

Moth is a Four-Letter Word

It looks like we might hit our first freeze later this week. As the weather cools in Atlanta, thoughts turn to unfinished sweaters. There's a beautiful Bohus Forest Darkness that has been hibernating for awhile in my unfinished objects. According to my Ravelry notes, I started the sweater in the spring of 2015. The colorwork progressed nicely. The problem was when I got to the plain part. I worked the directions for the smallest size and discovered the smallest size is too big for me. I ripped back to the colorwork — thank goodness I put in a dental floss lifeline — and plopped the project back into a Longaberger picnic basket. I determined in order to finish the sweater, I would probably need a mannequin sized to my own body, so I could adjust fit as I knit. At one point Jenna from The Whole Nine Yarns helped me make a mannequin from an old t-shirt and duct tape. After my Aunt Carol passed away last year. I acquired her adjustable sewing mannequin. So

Off The Grid

Last weekend I took Alasdair Post-Quinn's online "Double-knitting Off the Grid" workshop . While I don't double-knit often, I find it useful in certain circumstances. Alasdair's inventive exploration of the technique is always worthy of my time. Learning something new was a familiar pleasure, one I haven't indulged in much in 2020. The swatch took a couple hours to knit. Basically, the class was a deep dive into double-knit increases and decreases. The decreases are pretty much the same ones I use in versa lace. In double-knitting those decreases involve two colors not one, but are otherwise the same. Alasdair has an interesting way of working the swap between stitches #2 and #3 in a single decrease. And he has an unusual way of working the lifted increase. Also, I would have misread his charts if I hadn't taken the class.  The off the grid method allows you to create motifs that are more curved and refined, rather than pixela

Penta Benda

My latest pattern comes from an idea I had swatched a year or two ago. What brought it to the top of the queue was a need for grief knitting. My aerospace friend, Bob Greene, passed away from cancer in the early morning hours of Thursday 8 October 2020. He was in hospice care the final three weeks of his life. I spent a fair amount of those three weeks sitting bedside with him. I also drove out and back to Mississippi to fetch his granddaughter, and then did the same trip three days later to take her home. On my last day with Bob I downloaded the audiobook of The Martian and played that. Bob and I shared a love of all things outer space. I will miss him every time I see space news. I hope to live long enough to see humans walk on the moon again or even Mars for the first time. Bob dearly wanted to see that, too. The grief knitting turned out to be Penta Benda. The pattern is based on an interesting way of arranging right triangles, so they create an octag

What is the Swatch Telling Me?

In this stressful year, I really need some mindless knitting. To be fair, a complex Aran cabled sweater may not sound like mindless knitting to you. For me, all I am doing is following someone else's pattern. I don't have to write down what I am doing. I don't have to shoot video. All I have to do is follow a chart and happily knit. The sweater is the DNA Pullover by Andrea Cull from the Winter 2019 issue of Interweave Knits. Of course, I'm going to work this in the round. It has advantages. I am happily knitting around and around. I can try on the sweater as I go. I don't have to sew seams at the end. And I don't have to worry as much about gauge issues between my knits and purls (which have somehow gotten worse not better). Those panels of stockinette should be even. Before I cast on the sweater, I needed to make a gauge swatch. What did it tell me? First, I cast on 110 stitches. Yes, that&

Good Mission Creep

This year has certainly been the year of change and rethinking. I started off the year with a wonderful lineup of in-person teaching opportunities. Now I am ending the year with much less ahead —thank you, South Carolina Knitting Guild, for soldiering forth — and not a lot on the horizon. Kanuga, Carolina Fiber Fest, Unwind, STITCHES United, Blue Ridge Fiber Fest would normally be on my calendar. Some of these are canceled; some are planning but may be virtual. There is still a lot of uncertainty. I am slowly adapting to this new landscape. I've done some teaching online, most notably for virtual New York Sheep and Wool Festival. Back in the summer, one of my students contacted me for help altering a pattern. We were able to meet over Facetime; and that worked pretty well. I've been meeting some local students in person once a week. We wear masks and use hand sanitizer and generally try to be careful. I have a long list of videos I need to shoot and a new pattern is close to b