Knot Knecessarily Known Knitting

The Sir Thomas entrelac scarf used a long-print yarn, Crystal Palace Mochi Plus . Long-print yarns are yarns in which the color changes occur at wide intervals. Unlike a typical hand-painted sock yarn, in which the color changes are only 2-3 inches/5-8 cm long, long-print yarns often have several yards/meters of color. When rolled up into a ball, long-print yarns can surprise. You'll see a couple colors on the outside, but who knows what is hidden inside? Sometimes that's part of the fun! Probably the most popular long-print yarn is Noro Kureyon, but more and more manufacturers have been experimenting with the type. Some have completely random color changes. But many long-print yarns have predictable color sequences, they are just very long (many yards or meters). Sometimes the color changes are in sequential order: A B C D E, then more A B C D E. Often they are symmetrical. In those yarns, the color order will be A B C D E D C B  and then begin again at A. If you have Laura ...

This is the third -- and probably most important -- tutorial video for the Sir Thomas entrelac scarf. This join is a clever use of the sliding loop modular intarsia technique published by Rick Mondragon in the February 1995 issue of Threads magazine. I knew of the technique, but had not thought of using it in entrelac until I met Jay Petersen in the summer of 2011. Jay has done some amazing explorations of entrelac that is three-dimensional, patterned, or reversible. He is definitely the king of extreme entrelac! This technique is but a sample of the reversibility that can be achieved.

Here is the second video tutorial for Sir Thomas. I am horrible at finding the turning chains when I need to pick up in a selvedge. Hence, I use a vertical lifeline. Thank you to Fleegle for giving this technique such an excellent name! At the beginning of a row, I wrap the lifeline from front to back with my working yarn. When working up from the lifeline, you can treat the turning bumps on the lifeline as if they are real stitches. You can even replace the lifeline with a knitting needle. Sometimes I don't even use a piece of waste yarn, but instead use the cable from an interchangeable set or a circular needle. And since the needle is just for parking stitches, it can be the same size or smaller than your working needle.

Here is the first how-to video for Sir Thomas. Here is how to use a crochet-chain cast-on so that you have chain stitch all the way around the entrelac project and so don't have to break and join yarn between courses. This features my usual crochet chain cast on done with my fingers. You could also use a crochet hook or knitting needles to do this.

So far, 2014 has consisted for me mostly of trying to put 2013 to bed. The list of unfinished business has been long. I have been particularly troubled by a certain entrelac scarf. The very kind folks at Crystal Palace Yarns sent me four skeins of Mochi Plus last March with the specific purpose that they become a scarf similar to the lovely block I had knit for the TNNA Great Wall of Yarn. And according to my Ravelry projects page, I cast on 12 March and bound off 11 May. Not quite as fast as I would have liked, but nonetheless completed in the middle of STITCHES South, Unwind, and the disruption of my life that came from my Cuddly Hubby moving to Maryland. I made notes for writing the pattern. I shot some how-to videos. And on 16 June I even got Cuddly Hubby to take some pictures of me modeling the scarf at Point Lookout State Park, where the Potomac River empties into the Chesapeake Bay. And yet, somehow, this pattern just refused to finish. During my three-week trek to the Ma...