I am on a bunch of e-mail lists. One of them — I don't remember which one — recently mentioned the book Bog Fashion by Nicole DeRushie. I was intrigued, so I ordered a copy. The About the Author page near the back of the book says, "Nicole DeRushie is a Canadian historian and educator based in the UK."The Acknowledgements page near the front thanks people at the Nationalmuseet, Copenhagen, as well as the Ashmolean Museum in Oxford. In the foreword, Ms. DeRushie mentions studying for a Public History MA at Royal Holloway, University of London. The book is published by ChronoCocia Publishing AB in Furulund, Sweden. Ms. DeRushie writes about bog finds in both the United Kingdom and Scandinavia. She includes a timeline for both Celtic and Nordic peoples. Thus, this book is about the textile material culture of northwest Europe in the bronze age and iron age — think Celts and Vikings. The book is a wonderful mix of scholarship and craft techniqu...
One thing I love about knitting is that it can be three-dimensional. Sample E, unfolded Knitting doesn't have to be. Making a scarf or blanket is usually a two-dimensional process. It is creating a flat plane of fabric. Sometimes there are texture patterns, but we think of them as embellishments or decorations. We think they aren't fundamentally changing the nature of the item as a plane. Socks are a great example of three-dimensional knitting. They are typically worked in the round. They have special shaping to turn the heel. If they are knee socks, they might even having shaping through the calves. And, of course, there is shaping at the toes. Think about all the socks you own. Are any of them made from flat fabric sewn together? Even commercial socks are typically worked in the round with a seam at the toe. While I find weaving intriguing for its mathematically prop...