Knot Knecessarily Known Knitting

As we come up on the return of the light in a few days, this is a traditional time of the year to pause and reflect. We reap what we sow, so make sure you plant something you want to harvest. This year I am feeling especially blessed for a variety of reasons. Cuddly Hubby is here at home. We have two happy, healthy cats who provide slack. A nice teaching schedule is coming together for me for 2026 (see right sidebar). The holiday season has featured time with some of my dearest friends, many of whom are at contented points in their lives. After watching so many people I care about work through a variety of struggles, I am without words to describe how lovely it is to watch them enjoy the fruits of their labors. For myself, I finished the baby hue shift blanket. It may not be perfect, but it is undeniably beautiful. I've started a new log cabin blanket. The yarn is Premier Puzzle from a big-box store, but I think Marble Chunky would work, too. I'm usin...

Atlanta Knitting Guild is celebrating its 40th anniversary by making 40 blankets for Project Linus. I don't do a lot of charity knitting or gift knitting. Usually I am knitting something complicated for myself; or I am knitting something I need for a class sample. And knitting a blanket is a big ask in terms of time. On the other hand, it is possible to choose a relatively mindless knit that I can work up over several weeks in the evenings or at meetings when a more complicated project requires too much attention. In this case, I cast on before an October road trip to Virginia. Cuddly Hubby did the driving, which gave me lots of knitting time in the passenger seat. This object isn't quite finished — I'm still working on the border. It is one of the most beautiful objects I have ever knit. The pattern is based on Hue Shift . The construction is the basic modular block I teach in my modular knitting class. Hue Shift works the block in garter s...

Many of my knitting unventions come from solving a problem. I tend to work backward in my design process. I start with a vision — oh, wouldn't it be nifty if I made thing X? — and then try to figure out how to do it. I like excellent construction. I believe in the value of fine craftsmanship. That brings me to the problem of Volute . cover photo of Volute As you can see, this is a mohair cocoon. There's nothing wrong with making a mohair cocoon. The part I don't like, and that my student who is making it doesn't like, are the seams across the back. back view from the pattern booklet The seams look like scars. The fabric is diaphanous. This is also a mohair stockinette death march — a full 2 yards of knitting. Yes, it is 6 feet of knitting, or 2 meters if you want to think in metric. I borrowed this project from my student and worked on it at Dragon Con because I'm a fast knitter. But if you are not a fast knitter, this is a slog . On t...

I am on a bunch of e-mail lists. One of them — I don't remember which one — recently mentioned the book Bog Fashion by Nicole DeRushie. I was intrigued, so I ordered a copy. The About the Author page near the back of the book says, "Nicole DeRushie is a Canadian historian and educator based in the UK."The Acknowledgements page near the front thanks people at the Nationalmuseet, Copenhagen, as well as the Ashmolean Museum in Oxford. In the foreword, Ms. DeRushie mentions studying for a Public History MA at Royal Holloway, University of London. The book is published by ChronoCocia Publishing AB in Furulund, Sweden. Ms. DeRushie writes about bog finds in both the United Kingdom and Scandinavia. She includes a timeline for both Celtic and Nordic peoples. Thus, this book is about the textile material culture of northwest Europe in the bronze age and iron age — think Celts and Vikings. The book is a wonderful mix of scholarship and craft techniqu...

One thing I love about knitting is that it can be three-dimensional. Sample E, unfolded Knitting doesn't have to be. Making a scarf or blanket is usually a two-dimensional process. It is creating a flat plane of fabric. Sometimes there are texture patterns, but we think of them as embellishments or decorations. We think they aren't fundamentally changing the nature of the item as a plane. Socks are a great example of three-dimensional knitting. They are typically worked in the round. They have special shaping to turn the heel. If they are knee socks, they might even having shaping through the calves. And, of course, there is shaping at the toes. Think about all the socks you own. Are any of them made from flat fabric sewn together? Even commercial socks are typically worked in the round with a seam at the toe. While I find weaving intriguing for its mathematically prop...

Earlier this summer I completed repairs on a commercial sweater. One of my students had a friend whose favorite sweater looked like an alligator had chewed on the cuffs. I suspect a backstory but I don't know it. I didn't take a lot of pictures of the sweater. I probably should have. One of the challenges was the sleeves were worked cuff up (bottom up) rather than top down. This meant repairing the damaged sleeves included recreating the cast-on, re-knitting the damaged fabric, and grafting the hole closed in pattern. If the sleeves had been worked in the other direction, it would have been a much simpler repair involving ripping back and re-knitting. The repair was further complicated by the stranded construction of the sweater. I was using similar but not identical yarn. I eventually figured out I needed to pull some plies off the replacement black yarn to bring it down to match in girth. This also meant all the knitting and grafting used multiple...